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He marched the Raiders down the field, just like he did the drive before. That drive ended in a miscommunication between he and Amari Cooper, and a fourth-down pass in the end zone landing nowhere near the Raiders’ best receiver. Carr didn’t know if he’d get another chance. “You want to throw up because that’s always on me,” Carr said. ” … You just go to the sideline and pray that you get the ball back. I think our stadium emptied out about halfway after that. The people that stayed, they got a fun show.”.

Still, it was the Shostakovich concerto that emerged as the evening’s dazzling highlight, Written for cellist Mstislav Rostropovich, who premiered it in 1959, the score is relatively short — about 30 minutes — but it’s packed with musical invention and emotional weight, Under Nelson’s direction, it shoes on sale, 20% off, size 34, ready to ship, scalloped ballet flats shoes radiant orchid lilac light violet slip on ballerina made a brilliant showpiece for Harrell, whose interpretive gifts blend technical virtuosity with a probing depth of feeling, With Nelson setting an energized tempo, Harrell etched the first movement’s distinctive four-note motif with assurance, The orchestra, sounding well-rehearsed and fully engaged, supported the soloist with propulsive sound — insistent woodwinds, fierce pizzicato strings, It’s amazing how modern this movement still sounds; more than 50 years after its first performance, one might be forgiven for mistaking it for a work by a contemporary composer..

The intimacy of the 150-seat venue, in which the audience practically pulls up a chair in the living room of the characters, may be the key to the Aurora’s glow. If you are sitting in the front row, it can be hard to avoid unwittingly tripping the actors. “The Aurora is one of my favorite places to work, partially because of the wonderful feeling of being enveloped by the audience,” Paff says. “But on the first preview, I am always simply terrified. There is no place to hide! But of course that is also what we all love about working there. … You must be honest every single moment.”.

Yet, in this production, “The Temple of Glory” came across with considerable impact, As characters sang about killing their enemies shoes on sale, 20% off, size 34, ready to ship, scalloped ballet flats shoes radiant orchid lilac light violet slip on ballerina and poisoning the land, the opera began to resonate as oddly contemporary, When one insisted that “tyrants know no shame,” it might as well have been new, PHILHARMONIA BAROQUE, Presenting Rameau’s “Le Temple de la Gloire”, When: 8 p.m, April  29, 3 p.m, April 30, Where: Zellerbach Hall, UC Berkeley, Running time: 3 hours, with one intermission..

The festival opens in the afternoon with free presentations in the Mexican Heritage Plaza gardens featuring folk dancing, cultural exhibits, workshops and a Silk Road bazaar. The evening performance is a ticketed event that includes the Tarangini School of Kathak Dance, Yore Turkish Folkdance Ensemble, Niosha Dance Academy, Ballet Afsaneh, and Chinese Performing Arts of America, which present a dramatic dragon dance to mark the Year of the Dragon. “I’m so excited about this dragon dance,” Sawyer says. “It’s not like at the New Year’s parade where you can see the dancers’ legs. In the theater with the black light, it looks like the dragon is rolling and swirling in a night sky chasing this pearl of wisdom.”.

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